While stone and soil pigments are permanent in nature, botanical inks, like photographs can fade over time. Although I create with only the most lightfast botanical inks, there is the potential of some color fading within original works. It is highly recommended to keep your original work out of sunlight, or near a north facing window to best protect the color over time. If you decide to frame your work, UV glass will best protect your original work. Additionally, please keep your originals out of damp areas, including bathrooms, as water can damage work, as well. This does not apply to any giclee prints, greeting cards, or postcards.

I am deeply committed to sustainability and environmental causes; I aim to reduce my overall environmental impact and create more regenerative methods within my creative practice. I continue to transition to Earth sourced pigments and ecofriendly paints. While I have begun this journey, I pledge to spend more time ethically foraging pigments and supporting small businesses who make sustainable art materials. I am also dedicated to finding more sustainable applications in framing, presentation, packaging, and shipping. Whenever possible, I offer compostable, recycled, and/or biodegradable packaging.

I believe in accessible art, so people from all backgrounds and income levels can have a connection to the land, beauty, and objects that bring them pleasure within their own homes. While my work varies wildly in price, I commit to having some continued options for greater accessibility.

Commissions are custom pieces of art that a client requests an artist to make. To commission a Teeny Landscape, you select and send an original photo, you have either taken or have permission to use, of a landscape for me to paint. The artist will discuss details with the client and send a contract to be signed. The client will return a signed contract, along with a 50% deposit before the artist begins the commission. Inquire at leeann@leeannlove.com for more information.

These prints are high quality reproductions of my original mixed media paintings, made with archival inks, archival fine art paper, and Hahnemühle Certified Printing.

My monoprints are one-of-a-kind originals which are created using ink, by both additive and subtractive processes. The image made onto the printmaking plate is then pressed, transferring the image onto paper. The final artwork is built by layering multiple images, one on top of another. These handmade prints are made with Cranfield oil based, eco-friendly inks and high-quality printmaking paper.

My overpainted monotypes are crafted by hand printing bark textures or rock patterns and painting on top of the original, one of a kind monoprints. These handmade prints are created with Cranfield oil based, eco-friendly inks and eco-conscious, natural paints, often ethically foraged and made by the artist.

My monoprints are one-of-a-kind originals which are created using ink, by both additive and subtractive processes. The image made onto the printmaking plate is then pressed, transferring the image onto paper. The final artwork is built by layering multiple images, one on top of another. These handmade prints are made with Cranfield oil based, eco-friendly inks and high-quality printmaking paper.

I am accepting Paypal and all major credit cards.

TN residents pay TN sales tax.

All monoprints and drypoints are handmade and may not be perfectly straight or without marks or slight bends in the borders. Because these prints will be matted and framed, these imperfections within the borders are inconsequential — and will not impact your artwork’s beauty or frameability. These variations are actually proof that each image is handmade, original, and one of a kind and adds to its individual charm.